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moments with a rich suggestion of inner life. This is true even when some of the performers — chiefly Matthew Goode as Tony’s coolly exasperated history teacher and Emily Mortimer as a young,cheap jordan shoes, fetching version of Sarah — seem bizarrely overqualified for their roles. A more satisfying match of actor and role is achieved by Charlotte Rampling, bringing her usual steely self-possession to bear on Veronica, who makes a startling return to Tony’s life after a decades-long silence. She’s played in flashback by the suitably bewitching Freya Mevor, while Joe Alwyn,cheap air jordans, the underrated young star of “Billy Lynn’s Long Halftime Walk,” makes a superb impression as Adrian Finn, a brooding, philosophizing student who turned Tony and Veronica’s relationship into a triangle. But the movie is ultimately Broadbent’s showcase, and he shoulders the dramatic burden with sly, curmudgeonly expertise. He wisely doesn’t soft-pedal the fact that,cheap jordans for sale, even before his dark secret comes tumbling out, Tony Webster seems like a lousy fellow: monstrously self-absorbed, indifferent to the feelings of others and prone to fits of impulsive, irrational behavior. And the lingering frustration of “The Sense of an Ending,cheap jordans free shipping,” apart from its overly mechanical plotting,cheap jordans free shipping, is that it finally seems content to coddle and indulge Tony more than it challenges him. There’s a whiff of Ian McEwan’s “Atonement” to Barnes’ story,, which similarly deals with the consequences of an ill-advised act of youthful spite, the difficulty of making amends

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